January 2008

The Archives

• Communication and Media Studies, Cultural Studies, e-Research, Humanities, Life Writing

  Digital Lives

  25.01.08 | Permalink | Comments Off on Digital Lives

  The aim of the Interactive Histories research program is to seek ways of using interactive media for experimental content delivery in projects with a broadly historical focus. The focus to date has been on oral history projects (including virtual tours of heritage sites, museum installations and multimedia documentaries) and on theoretical research investigating emerging frameworks for historical representation enabled by interactive technologies. Planned projects include digital storytelling in local communities and the development of Indigenous and cross-cultural digital resources. Central to the two projects being presented here is the production of multimedia works designed to maximize public access to oral history material.

about

Professor Paul Arthur is Chair in Digital Humanities and Social Sciences and Director of the Centre for Global Issues, at Edith Cowan University, Australia. He speaks and publishes widely on major challenges and changes facing 21st-century society, from the global impacts of technology on culture and identity to migration and human rights. His latest book is Migrant Nation: Australian Culture, Society and Identity (ed., 2018). A Fellow of the Royal Historical Society, Paul Arthur has held visiting positions in Europe, Asia-Pacific and North America. He has served on the executive boards and councils of the global Alliance of Digital Humanities Organizations (ADHO); centerNet—the worldwide network of digital research centres (Co-Chair, 2015–2018); the International Auto/Biography Association (IABA); the Australasian Association for Digital Humanities (founding President 2011–2015, Vice-President 2018–2021); the Australasian Consortium of Humanities Research Centres (ACHRC); and the NeCTAR (National eResearch Collaboration Tools and Resources) Super Science initiative of the Australian Government. Click here for full Profile.

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• Migrant Nation
• Engaging Collections and Communities: Technology and Interactivity in Museums
• Digital Postmodernism and Postcolonialism
• Things Fall Apart: Identity in the Digital World
• Data Portraits: Identity, Privacy, and Surveillance
• Coda: Data Generation
• Material Memory and the Digital
• Private Lives, Intimate Readings
• Advancing Digital Humanities
• Launch of HuNI Virtual Laboratory for Australian Cultural Data

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